The judge subsequently tasked the PBI with investigating the allegations. PBI Inspector Mizanur Rahman submitted a report to the tribunal on Oct 29 on the basis of finding "preliminary evidence" against the three over the charges.ĭhaka Bar Association member Md Imrul Hasan started the lawsuit under the non-bailable section 28 of the Digital Security Act on Feb 2. Rita and two others were sued for allegedly making derogatory comments about Islam during the performance of a song. Syed Ali Bayati is a renowned veteran jari singer who also composes Jari Gan.Bangladesh Cyber Tribunal Judge Jaglul Hossain executed the warrant after taking into account a report over the matter by the Police Bureau of Investigation (PBI) on Wednesday. Other Jari Gan composers and singers include Abdul Malek Dewan, Abdul Khalek Dewan, Abdul Gani Bayati, Sai Ali Bayati, Abbas Ali Bhasan, Mohammad Ali Akbar Mian. Pagla kanai of jhenaidah was a legendary Jari Gan composer. Women sing Jari Gan in the village of Austogram under kishoreganj district on the 11th and 12th of Muharram. In Jari Gan competitions common subjects include men-women relationships, Ram-Hanuman, teacher-follower, shariat-marifat (religious laws, mysticism), Adam-Satan, democracy-kingship, Sufi-Mullah etc. Towards the end, the two teams stand facing each other and put forward extempore arguments in an effort to prove their opponent wrong. The two teams render songs in a question-answer format. The musicians play on dholak (drum), ektara (one-stringed instrument), dotara, sarinda, violin, flute, ghubgur (type of bracelet with small bells), khanjani (small, hand-held metal instrument), harmonium etc.Ī Jari Gan session may also take place between two Jari Gan teams. Most of the bayatis also play a musical instrument, dotara (two-stringed instrument), sarinda (one stringed instrument), violin, or dugdugi (a mini drum-like instrument).
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The bayati sings or chants part of the Jari Gan narrative, moving around and swaying his body to the rhythm of his singing with the dohars singing the refrain short songs. The popularity of the Jari Gan was also used to compose songs to popularise family planning.Ī Jari Gan session is led by a lead singer or bayati, supported by two to four dohars or assistant singers and occasionally at least four musicians. The poet ahmed sofa also used the form to compose Bangladesher Jari, using the traditional Jari Gan metre and format. A Jari Gan composed by Hatimuddin Sarkar, Sangsad Sadasya Marhum Nazrul Islam Sarkarer Akal Mrtyur Jari Gan, is on the untimely death of Nazrul Islam Sarkar, Member of Parliament. Modern Jari Gans can be on a variety of subjects.
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Popular Jari Gans include Kasem-Sakhinar Jari, Hasan Hussain, Ma Fatemar Jari. Matam jari also refers to the poems of lament chanted on the occasion of Muharram, often accompanying penitential flagellation.Ī typical Jari Gan is divided into three sections: a bandana (prologue), the body of the narration which consists of a tragic episode from the Karbala cycle, told in payar-couplets interspersed with spoken prose passages, and a concluding couplet saying that the recital has ended. The story of Imam Hussain and his brave band of followers has tremendous emotional appeal to all segments of people and has made the Jari Gan popular in Bangladesh. There is another type of performance rendered during Muharram, the dhuya gan, when an incident is narrated in a rhythmic tone. The Jari Gan is a longer song and is rendered more elaborately by a bayati (lead singer). The marsiya is a short song lamenting the tragic fate of Imam Hossain and the members of his family at Karbala. It is possible that originally only marsiya (elegy or dirge) used to be sung, and that Jari Gan was a later addition. Over time, Muharram turned out to be one of the biggest festivals of Bengal. All the nawabs in the early 18th century belonged to the Shiah sect.
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For example, shah shuja, the Mughal governor of Bengal, was a Sunni but his mother, Momtaz Begum, was a Shiah as were many of his amirs. The Muslim rulers of Bengal, even when they were not shi’ah One of the earliest recorded poetry is Muhammad Khan's poem on Karbala titled Maktul Hussain (The Martyrdom of Hussain) in 1645, when Shi'ism had reached Bengal via Persia. The origins of Jari Gan may be traced back to the early 17th century when poetry started being written on the tragic stories of Karbala.